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Humanity 14 Mixed media artwork featuring a grid composition of approximately 30-40 compartmentalized panels, each containing expressive drawings of human faces, figures, and abstract elements rendered in dark ink/charcoal/graphite on colored background.
Place of origin: Sulaimany
Dimensions: 12*18
Subject Place: Ismail Khayat's Gallery (His House)
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Humanity 15 Mixed media artwork featuring a grid composition of approximately 30-40 compartmentalized panels, each containing expressive drawings of human faces, figures, and abstract elements rendered in dark ink/charcoal/graphite on colored background.
Place of origin: Sulaimany
Dimensions: 12*18
Subject Place: Ismail Khayat's Gallery (His House)
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Humanity 16 Mixed media artwork featuring a grid composition of approximately 30-40 compartmentalized panels, each containing expressive drawings of human faces, figures, and abstract elements rendered in dark ink/charcoal/graphite on colored background.
Place of origin: Sulaimany
Dimensions: 12.5*17.5
Subject Place: Ismail Khayat's Gallery (His House)
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Humanity 17 Mixed media artwork featuring a grid composition of approximately 30-40 compartmentalized panels, each containing expressive drawings of human faces, figures, and abstract elements rendered in dark ink/charcoal/graphite on colored background.
Place of origin: Sulaimany
Dimensions: 12*18.5
Subject Place: Ismail Khayat's Gallery (His House)
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Humanity 18 Mixed media artwork featuring a grid composition of approximately 30-40 compartmentalized panels, each containing expressive drawings of human faces, figures, and abstract elements rendered in dark ink/charcoal/graphite on colored background.
Place of origin: Sulaimany
Dimensions: 12*18
Subject Place: Ismail Khayat's Gallery (His House)
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Humanity 19 Mixed media artwork featuring a grid composition of approximately 30-40 compartmentalized panels, each containing expressive drawings of human faces, figures, and abstract elements rendered in dark ink/charcoal/graphite on colored background.
Place of origin: Sulaimany
Dimensions: 16*10.5
Subject Place: Ismail Khayat's Gallery (His House)
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Humanity 20 Mixed media artwork featuring a grid composition of approximately 30-40 compartmentalized panels, each containing expressive drawings of human faces, figures, and abstract elements rendered in dark ink/charcoal/graphite on colored background.
Place of origin: Sulaimany
Dimensions: 12*18
Subject Place: Ismail Khayat's Gallery (His House)
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Humanity 21 Mixed media artwork featuring a grid composition of approximately 30-40 compartmentalized panels, each containing expressive drawings of human faces, figures, and abstract elements rendered in dark ink/charcoal/graphite on colored background.
Place of origin: Sulaimany
Dimensions: 13*19
Subject Place: Ismail Khayat's Gallery (His House)
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Humanity 22 Mixed media artwork featuring a grid composition of approximately 30-40 compartmentalized panels, each containing expressive drawings of human faces, figures, and abstract elements rendered in dark ink/charcoal/graphite on colored background.
Place of origin: Sulaimany
Dimensions: 12*18
Subject Place: Ismail Khayat's Gallery (His House)
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Humanity 23 Mixed media artwork featuring a grid composition of approximately 30-40 compartmentalized panels, each containing expressive drawings of human faces, figures, and abstract elements rendered in dark ink/charcoal/graphite on colored background.
Place of origin: Sulaimany
Dimensions: 13*19
Subject Place: Ismail Khayat's Gallery (His House)
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Idea for Freedom Sculpture This drawing is part of a period when Ismail Khayat sketched freely, putting on paper whatever came to his mind. These works are known as Khayat's Imagination, and some of them have been sketched for sculptures. (This is for a sculpture dedicated to freedom, from this we can see that to Khayat, freedom was very important and he has depicted it often in his works)
Place of origin: Sulaimani
Dimensions: 20*22
Subject Place: Ismail Khayat's Gallery (His House)
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Idea for Sculpture named Moving This drawing is part of a period when Ismail Khayat sketched freely, putting on paper whatever came to his mind. These works are known as Khayat's Imagination, and some of them have been sketched for sculptures.
Place of origin: Sulaimani
Dimensions: 20*29
Subject Place: Ismail Khayat's Gallery (His House)
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Idea for some Subjects This drawing is part of a period when Ismail Khayat sketched freely, putting on paper whatever came to his mind. These works are known as Khayat's Imagination, and some of them have been sketched for sculptures.
Place of origin: Sulaimani
Dimensions: 16.5*21
Subject Place: Ismail Khayat's Gallery (His House)
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Idea of a Body This drawing is part of a period when Ismail Khayat sketched freely, putting on paper whatever came to his mind. These works are known as Khayat's Imagination, and some of them have been sketched for sculptures.
Place of origin: Sulaimani
Dimensions: 11*14
Subject Place: Ismail Khayat's Gallery (His House)
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Idea of a Sculpture This drawing is part of a period when Ismail Khayat sketched freely, putting on paper whatever came to his mind. These works are known as Khayat's Imagination, and some of them have been sketched for sculptures.
Place of origin: Sulaimani
Dimensions: 9 * 11
Subject Place: Ismail Khayat's Gallery (His House)
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Ideas for Sculpture This drawing is part of a period when Ismail Khayat sketched freely, putting on paper whatever came to his mind. These works are known as Khayat's Imagination, and some of them have been sketched for sculptures.
Place of origin: Sulaimani
Dimensions: 18*30
Subject Place: Ismail Khayat's Gallery (His House)
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Ideas of Sketches This drawing is part of a period when Ismail Khayat sketched freely, putting on paper whatever came to his mind. These works are known as Khayat's Imagination, and some of them have been sketched for sculptures.
Place of origin: Sulaimani
Dimensions: 18*20.5
Subject Place: Ismail Khayat's Gallery (His House)
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Ideas of Some Subjects This sketch is part of a period when Ismail Khayat sketched freely, putting on paper whatever came to his mind. These works are known as Khayat's imagination, reflecting his spontaneous and imaginative process.
Place of origin: Sulaimani
Dimensions: 20*30
Subject Place: Ismail Khayat's Gallery (His House)
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In the Time of Sickness 01 I leave my fingerprints wherever I go. When I was in Germany, caring for a family member in the hospital, I spent my time painting on anything I could find. Inside the hospital, there was a small church that provided paper for people to write prayers and notes. Instead, I painted on them using coffee. I left my memories on the stones outside the church—I painted everything that was on my mind at the time.
Place of creation: Koln, Germany
Dimensions: 21- 9 cm
Subject Place: Ismail Khayat's Gallery (His House)
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In the Time of Sickness 02 I leave my fingerprints wherever I go. When I was in Germany caring for a family member in the hospital, I spent my time painting on anything I could find. Inside the hospital, there was a small church that provided paper for people to write prayers and notes. Instead, I painted on them using coffee. I left my memories on the stones outside the church—I painted everything that was on my mind at the time.
Place of origin: Koln, Germany
Dimensions: 21-9 cm
Subject Place: Ismail Khayat's Gallery (His House)
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In the Time of Sickness 03 I leave my fingerprints wherever I go. When I was in Germany caring for a family member in the hospital, I spent my time painting on anything I could find. Inside the hospital, there was a small church that provided paper for people to write prayers and notes. Instead, I painted on them using coffee. I left my memories on the stones outside the church—I painted everything that was on my mind at the time.
Place of origin: Koln, Germany
Dimensions: 21-9 cm
Subject Place: Ismail Khayat's Gallery (His House)
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In the Time of Sickness 04
I leave my fingerprints wherever I go. When I was in Germany caring for a family member in the hospital, I spent my time painting on anything I could find. Inside the hospital, there was a small church that provided paper for people to write prayers and notes. Instead, I painted on them using coffee. I left my memories on the stones outside the church—I painted everything that was on my mind at the time.
Place of origin: Koln، Germany
Dimensions: 21-9 cm
Subject Place: Ismail Khayat's Gallery (His House)
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In the Time of Sickness 05 I leave my fingerprints wherever I go. When I was in Germany caring for a family member in the hospital, I spent my time painting on anything I could find. Inside the hospital, there was a small church that provided paper for people to write prayers and notes. Instead, I painted on them using coffee. I left my memories on the stones outside the church—I painted everything that was on my mind at the time.
Place of origin: Koln, Germany
Dimensions: 21- 9 cm
Subject Place: Ismail Khayat's Gallery (His House)
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In the Time of Sickness 06
I leave my fingerprints wherever I go. When I was in Germany caring for a family member in the hospital, I spent my time painting on anything I could find. Inside the hospital, there was a small church that provided paper for people to write prayers and notes. Instead, I painted on them using coffee. I left my memories on the stones outside the church—I painted everything that was on my mind at the time.
Place of origin: Koln, Germany
Dimensions: 21-9 cm
Subject Place: Ismail Khayat's Gallery (His House)
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In the Time of Sickness 07 I leave my fingerprints wherever I go. When I was in Germany caring for a family member in the hospital, I spent my time painting on anything I could find. Inside the hospital, there was a small church that provided paper for people to write prayers and notes. Instead, I painted on them using coffee. I left my memories on the stones outside the church—I painted everything that was on my mind at the time.
Place of origin: Koln, Germany
Dimensions: 21-9 cm
Subject Place: Ismail Khayat's Gallery (His House)